missa pange lingua texture
4 10 Josquin des Prez's masses are works of towering genius, notable for the purity and expressiveness of their musical language. 8 Human translations with examples: MyMemory, World's Largest Translation Memory. It was not formally published until 1539 by Hans Ott in Nuremberg, although manuscript sources dating from Josquin's lifetime contain the work. "Kyrie" from Missa Pange Lingua" Flashcards | Quizlet "Peter Phillips absolutely lives this music and with The Tallis Scholars you get clarity of texture, exquisite phrasing and a luminosity of tone . Josquin's Missa Pange lingua, even though its model, the hymn Pange lingua, was associated with Eucharistic practices that were exclusively Catholic. Click the account icon in the top right to: Oxford Academic is home to a wide variety of products. [20], Mizler translation, tables XXIII, XXIV, XXVII, XXIX, XXX. *#622066 - 0.02MB,? 6 This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account. 2 of St. Victor of Paris, 13th century, with additions dated 1567). View your signed in personal account and access account management features. The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. 6 In other Hosannas (Ave maris stella, Malheur me bat) he swopped between them quickly, or even had them both going at the same time; but here the sections are substantial and demarked. *#203159 - 0.09MB, 7 pp. It was in this work that Josquin finally made the art of imitation, by which all the voices must be treated as being equal, of primary importance. melody, placed ostentatiously in long notes at the top of the texture. Wikimedia Commons A generation before him, the music of Dufay presented developing ideals of equal-voiced polyphony and of large-scale formal balance; later, Ockeghem exploited more of the imitative style and rhythmic intensity. [1] It was not available to Ottaviano Petrucci for his 1514 collection of Josquin's masses, the third and last of the set; additionally, the mass contains references to other late works such as the Missa de Beata Virgine and the Missa Sine nomine. Mix - Josquin: Missa Pange lingua - Kyrie Josquin des Prez, Claudio Monteverdi, Orlande de Lassus, and more Bach: Mass in B minor - Kyrie I - Herreweghe pannonia77 377K views 4 years ago. 10 Josquin: Missa Pange lingua & Missa La sol fa re mi Josquins nameless mass is his second entirely canonic setting and shows the fruits of his experience in mathematical writing. Description: For information, refer to the Mass page. 6 There are also frequent ornamental sections which follow ending cadences. 8 0.0/10 Learn New. Bach's Cantata no. 0.0/10 Robin Leaver writes that these four Lutheran Masses all use a "symmetrical, five-movement Gloria in which a central movement (in BWV 236 a duet) is framed by two arias and two choruses.". - Ecce Sacerdos Magnus, WAB13 - [05:39] Download Link Isra.Cloud The Choir of St John's Cambridge - Franz Liszt: Missa Choralis / Anton Bruckner . 10 4 Missa Di dadi shows Josquins passion for mathematical shenanigansand for gambling. An almost identical reading of the mass in the choirbook Jena, Thringer Universitts- und Landesbibliothek, MS 21, copied in the same scriptorium between 1521 and 1525, makes it highly probably that the readings in BrusBR IV.922 and JenaU 21 may have been copied from twins, originating from the same exemplar, but each with additional annotations which may have slightly differed from each other. Since the style of the composition points to a rather late work by Josquin, singing of the mass may have been restricted for a period to the church of Cond. Josquin Desprez has enjoyed the highest esteem both of his contemporaries (Martin Luther called him the "Master of the Notes"), and of music historians since his day. - Missa Pange Lingua By Josquin Des Prez (1440-1521) - Book [Softcover XVI C 4, f. 73v (Cambrai antiphoner, c. 1508-1518), Editorially supplied material: Plainchant intonations of Gloria and Credo The official publication of the American Choral Directors Association is Choral Journal. Based on a substantial chant melody, it deploys mathematics in a number of clever, but rewardingly audible ways. In the Gloria, for example, at the text "Qui tollis peccata mundi," Josquin thins out the texture to a severe canon, which stands out from the preceding moments. In contrast to these readings, the Roman choirbook MS Santa Maria Maggiore 26, copied by several scribes between 1516 and 1520, furnishes a heavily-edited reading of the mass, in which under-third cadences are ommitted, ligatures resolved and a large number of rhythmic substitutions introduced. On the contrary, the various transmissions in these Alamire manuscripts suggest that, prior to their copying, performances of the setting outside the direct control of the composer had made clear that its various two-voice sections either were too demanding for the average singer, or that these sections did not suit his taste; hence the alternative sections in BrusBR IV.922. Sanctus Credo Agnus Dei, 2. 4 Download and print in PDF or MIDI free sheet music for Missa Pange Lingua by Josquin des Prez arranged by mdg for Soprano, Alto, Tenor, Bass voice (Choral) Browse. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more. (-)- C*/V*/V* - 14202 - ctesibius, PDF scanned by ctesibius [4], Later in the 16th century, paraphrase remained a common technique for construction of masses, although it was employed far less frequently than was parody technique. Shibboleth / Open Athens technology is used to provide single sign-on between your institutions website and Oxford Academic. Josquin wrote 18 mass settings during his lifetime and created a unique compositional method and sound world for each of them. The parody mass , also known as the imitation mass (for the use of the word "parody" implies no satire, but is based on a misreading of a 16th-century source), uses many voices from a polyphonic . F, d. 6 00:00 / 02:31. 6 0.0/10 Paraphrase mass - Wikipedia Within the setting's variety of combinations of these elements - by way of an extremely balanced counterpoint - not a single note merely functions as a filler. *#622065 - 0.20MB, 3 pp. L. Macy (Accessed March 25, 2007), Gustave Reese (biography) and Jeremy Noble (works), "Josquin Desprez," Howard Mayer Brown, "Mass", in. Missa Pange lingua - Wikipedia The texture is mostly homophonic, with occasional moments of polyphony. Its free-flowing polyphony, less rigorously canonic than that of his earlier works, is supple, expressive. First commercially published in 1929. Towards cadences between two or more voices in imitation, the leading voice may approach the close of its line with a short improvisation on a foregoing melodic element, or by a subtle embellishment that not infrequently functions as exclamation sign. As an additional introduction to this style of setting, the editorial underlay of the Ordinary texts (which sometimes deviates from the setting's edition in the New Josquin Edition) may demonstrate the way in which the composer generated his inspiration. While he was working at the court of Ferrara, Italy, Josquin wrote an entire mass setting based on the name of his employer, Duke Ercole I. Missa Choralis (S.10) [00:31:58] 01. (-)- !N/!N/!N - 164 - Michrond, ZIP typeset by arranger The theological message of the chant on which the mass is based is driven home by a remarkable "flowering" of the chant melody in the final section of the Agnus Dei. The 'Missa Pange lingua' of Josquin des Prez: An Approach to - JSTOR An almost identical reading, copied most probably from this source between 1518-1521, is transmitted by the Roman choirbook MS Cappella Giulia XII.2, as well as in some incomplete sets of partbooks in the Vatican Library, MSS Palatini Latini 1980-1981 and 1982, which were copied in Rome before 1523. Page visited 40,180 times Powered by MediaWiki supplied from Paris, Bibliothque nationale, MS lat. Bands: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z. Agarvin (2020/4/26), Complete Parts 0.0/10 8 10 6 8 Indeed, during this period, it was the favored method of using Gregorian chants to construct masses.[6]. In general, melodic continuation either follows the principle of one note to one syllable, or, within this stream, slightly emphasizes a particular word by a few extra notes, which may stress its particular meaning as well as the apparently French pronunciation of the text. Probably one of the first mass settings Josquin ever wrote, Missa Une mousse de Biscaye perhaps shows the late-medieval origins of his musical language more clearly than any other of his masses. This became the fundamental modus operandi for serious composers of the 16th century. Josquin treats the "Agnus Dei" supplications as the cycle's clear culmination, and he evokes this prayer with complex subtlety, beginning with a threefold (triune?) 8 Kyrie from Missa Pange Lingua Flashcards | Quizlet Agnus Dei I and III from Missa Pange lingua Josquin Dum vastos Adriae fluctus Jacquet de Mantua (1483-1559) Friday, February 26, 2021 at 8pm . 10 For texts and translations, see the individual pages: https://www.cpdl.org/wiki/index.php?title=Missa_Pange_lingua_(Josquin_des_Prez)&oldid=1686352, Pages using DynamicPageList parser function, Free choir training aids for this work are available at. - Kyrie - [06:32] 02. THE LUTHERAN IDENTITY OF JOSQUIN'S MISSA PANGE LINGUA - Cambridge Core Founded in 1973 by director Peter Phillips, The Tallis Scholars were choral scholars culled from the chapel choirs of Oxford and Cambridge. 2 Background Winter Sale: 65% OFF 03 d: 12 h: 01 m: 21 s. View offer. Missa Pange lingua, 1. Kyrie - Desprez Sheet music for Tenor, Bass The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. *#218222 - 0.02MB, 2 pp. 8 Jena, Thringer Universitts- und Landesbibliothek, MS 21, Vienna, sterreichische Nationalbibliothek, Handschriftensammlung, Ms 4809, Munich, Bayerische Staatsbibliothek, Musiksammlung, Musica MS 510, Leipzig, Universittsbibliothek, MSS Thomaskirche 49/50, Regensburg, Bischfliche Zentralbibliothek, MS C100, Rostock, Bibliothek der Wilhelm-Pieck-Universitt, MS Saec. Album Rating: 5.0This is a hard piece to write about because in a lot of ways it feels like the apex of his abilities without doing any one thing especially incredibly, but I gave it the ol' college try anyhow. A woodcut of Josquin. True to its name, Missa La sol fa re mi is based entirely on the notes represented by these five solmization syllables on the medieval scale. Sanctus / 5. Jeremy Noble: "Josquin des Prez", 12, Grove Music Online, ed. Select your institution from the list provided, which will take you to your institution's website to sign in. *#572205 - 7.09MB - 7:45 - Yet one of these twins must have included a rather peculiar anomaly: in BrusBR IV.922 Josquin's rather long and sophisticated two-voice settings of the 'Pleni sunt' and 'Benedictus' are replaced by shorter settings, taken over from the Missa Es hat ein sinn by Mathieu Gascongne. Music 1. 10. Their readings also include additional editorial reworkings. PDF Al Borde Del Nilo Pange Lingua By Xavier Frias Conde While heretofore, the common compositional framework used a borrowed melody in a single voice cantus firmus (such as his own masses on L'ami baudichon and L'homme arm), Josquin in this Mass takes the hymn melody and infuses it into the musical substance of the entire piece. "[9], Rather than being a summation of his previous techniques, as can be seen in the last works of Guillaume Dufay, Josquin's mass synthesizes several contrapuntal trends from the late 15th and early 16th centuries into a new kind of style, one which was to become the predominant compositional manner of the Franco-Flemish composers in the first half of the 16th century. In this respect the added editorial ficta in the score, as related to this particular aspect, is primarily meant as a stimulant for personal investigation. When on the society site, please use the credentials provided by that society. 2 Missa Pange lingua It is probably Josquin's last mass settingbut it is definitely one of his best With the Missa Pange lingua we finally come to a setting which has united rather than divided its commentators. Album Rating: 5.0Fair point - Blackwater Park review coming up next. Missa Pange lingua (Francisco Lpez Capillas) - ChoralWiki Stylistically, the Missa Pange Lingua is the summit of Josquin's work in the genre. In those Ordinary movements with little text, the structure of melodic phrases in general leaves no doubt where repetition of text has been intended, particularly in the long-winded duos in the Sanctus. Subscriptions are available to libraries. In these works, the source hymns are often presented in a condensed form. 2 [3], Another composer of Josquin's generation who was important in the development of the paraphrase mass was Pierre de La Rue. The composition is a setting of the ordinary of the Mass, which includes the Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. - Some societies use Oxford Academic personal accounts to provide access to their members. This openness of scoring is unhindered by strict canon or clever mathematics of any kind. If you cannot sign in, please contact your librarian. Towards the end its last six notes are transformed into a peaceful motif that turns the closing passage into an insistent prayer. 6 (-) - !N/!N/!N - 132 - MP3 - Stenov, 6. [3], The hymn on which the mass is based is the famous Pange Lingua Gloriosi, by Thomas Aquinas, which is used for the Vespers of Corpus Christi, and which is also sung during the veneration of the Blessed Sacrament. Simon Lohet,[11] Michelangelo Rossi,[12] Franois Roberday,[13] Johann Caspar Ferdinand Fischer,[14] Johann Jakob Froberger,[15][16] Johann Caspar Kerll,[17] Johann Sebastian Bach,[18] and Johann Fux wrote fugues on it, and the latter's extensive elaborations in the Gradus ad Parnassum[19] made it known to every aspiring composeramong them Wolfgang Amadeus Mozart, who used its first four notes as the fugal subject for the last movement of his Symphony No. 10 4 Josquin Desprez - Pange lingua Mass, Kyrie (Mass) a. 10 - *#203162 - 0.01MB - 3:16 - 0.0/10 Willem Elders, NJE 4 (Utrecht: Koninklijke Vereniging voor Nederlandse 4 0.0/10 [1] As a specific example of early 16th-century 10 Its second phrase is used in the next section, phrases three and four appear in the Christe, and phrases five and six in the second Kyrie. Firstpublished: 1539in Missae tredecim quatuor vocum (Hans Ott), no. By choosing a model so brief and versatile, Josquin opened up a completely new world of musical referencing. *#47987 - 2.26MB, 25 pp. *#572203 - 3.79MB - 4:08 - *#575453 - 0.06MB, 6 pp. Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings. Features triple meter and imitative polyphony. 4 2 The melody is sung in Latin . Michrond (2012/5/12), 5 more: Trumpet 1 Trumpet 2 Trombone Bass trombone Engraving files (Finale), Trumpet 1 The setting's whereabouts in the Low Countries before Alamire first got his hands on one of its readings are still a mystery. The analysis portion of the chapter discusses Josquin's imitative technique, extensive use of ostinatos, and paraphrase of Gregorian chant. 0.0/10 basis of melodic lines and points of imitation, Cambrai, Bibliothque municipale, Impr. CMME: Missa Pange lingua (Josquin Desprez) Apart from several copying errors, its reading offers both resolved and newly added ligatures and quite a host of rhythmic substitutions, which for the most part have little impact on the placement of text. Some of these readings were copied in manuscripts produced in Josquin's lifetime or shortly thereafter; their provenance as well as their readings of the Missa Pange lingua offer a unique insight into the way Josquin's setting may have been transmitted throughout Europe in the first half of the 16th century. See below. In general the Phrygian mode of the setting does not allow strict melodic imitation at the fifth below the final. XML score data: Kyrie, Gloria, Credo, Sanctus, Agnus dei. Michrond (2012/5/12), Content is available under the Creative Commons Attribution-ShareAlike 4.0 License Benedictus 6. "Pange lingua gloriosi corporis mysterium" (Ecclesiastical Latin: [pande liwa loriosi korporis misteri.um]) is a Medieval Latin hymn attributed to Saint Thomas Aquinas (1225-1274) for the Feast of Corpus Christi. 6 4 This isolated Roman transmission of the mass suggests that only in the second decade of the 16th century did a copy of Josquin's mass become known in circles directly related to the Vatican. 0.0/10 After that only a few phrases of the hymn are heard in the Gloria, Credo and Sanctus, though the entire melody is quoted in Agnus III. 6 Musical paraphrase, in general, had been used for a long time before it was first applied to the music of the Ordinary of the Mass. From about 1516 onwards the 'Alamire' scriptorium in Mechelen started the copying of several isolated fascicles, which around 1520 were assembled into a choirbook, today MS BrusBR IV.922. *#218218 - 0.08MB, 8 pp. Stile Antico - The Golden Renaissance: Josquin des Prez "1 Equally distant from Josquin's original intentions is the reading of the Mass in the mid-16th-century MS Milan, Bibl. 8 Its free-flowing polyphony, less rigorously canonic than that of his earlier works, is supple, expressive and extraordinarily beautiful, and contributes to a sonority that's unusually rich and luminous. (-)- !N/!N/!N - 495 - Agarvin, PDF typeset by editor 2 10 Josquin - Missa Pange lingua & Missa La sol fa re mi. Traduzioni in contesto per "alla Missa" in italiano-inglese da Reverso Context: Qui, Beethoven ha lavorato, tra le altre, alla Missa solemnis. The third Agnus Dei is one of those crowning glory movements, summing up what has gone before, though this time Josquin did his summing without canon. The early Missa Lami Baudichon shows the young composer at the beginning of his career, exploring what he could do with the form. For terms and use, please refer to our Terms and Conditions His Missa Ave regina celorum (written between 1463 and 1474) is similar to a cantus firmus mass in that the tune is in the tenor, however it is paraphrased by elaboration (and he also includes bits of his own motet on that antiphon, foreshadowing the parody technique). Josquin des Prez - Missa Pange Lingua- Kyrie (3:40)- Gloria (7:35)- Credo (7:35)- Sanctus (14:27)- Benedictus (18:44)- Agnus (21:32)Tallis VocalisConducted b. Table 1: Variant readings in JenaU 21, VatS16 and MunBS 510 against BrusBR IV.922, Pre-existent material: Plainchant hymn Pange lingua gloriosi, treated as Agarvin (2020/4/26), Complete Score In many of Josquins mass-settings the musical development culminates in the final movementnot unlike a Romantic symphony: the Agnus Dei of Missa Malheur me bat is a magnificent example and one of the greatest tours de force in the repertoire. Download and print in PDF or MIDI free sheet music for Missa Pange Lingua by Josquin des Prez arranged by saintandr for Tenor, Bass voice, Baritone, Voice (other) (Men's Choir) Browse Learn. To be precise the first nine bars of the first Kyrie are based on the first phrase of the hymn. - 8 Apart from a few mistakes and some alternative cadential formulas, it delivers a reading of the Mass which, in principle, is quite in agreement with its reading in VatS16. 4 Last edited on 15 February 2021, at 04:12, https://en.wikipedia.org/w/index.php?title=Paraphrase_mass&oldid=1006852821. By the 1470s or 1480s, the first masses appear that use paraphrase in more than one voice: two examples survive by Johannes Martini, the Missa domenicalis and the Missa ferialis. Josquin des Prez - Missa Pange lingua - YouTube 6 Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings. 0.0/10 This edition must have functioned as model for the copying of the mass in the MSS Leipzig, Universittsbibliothek, MSS Thomaskirche 49/50, Regensburg, Bischfliche Zentralbibliothek, MS C100 and Rostock, Bibliothek der Wilhelm-Pieck-Universitt, MS Saec. (-)- !N/!N/!N - 124 - Agarvin, Complete Parts (transposed down a 5th) 6 Free shipping for many products! For full access to this pdf, sign in to an existing account, or purchase an annual subscription. 8 Of his 18 reliably attributed masses, the Missa Pange lingua deserves its high popularity, both for the beauty of individual moments, as well as for the elegance of its formal design. With their recording of Missa Pange lingua in 1986, Peter Phillips and The Tallis Scholars began one of the most ambitious projects in recording history. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide, This PDF is available to Subscribers Only. The term burden refers to what? 8 PDF THE LUTHERAN IDENTITY OF JOSQUIN S RENAISSANCE OF A - Cambridge - pp. (-) - !N/!N/!N - 116 - MP3 - Stenov, Kyrie - Christe - Kyrie In the Missa pange lingua, all voices carry variants of the hymn, with the beginnings of successive phrases marking points of imitation in the mass. 4 2, ed. This difference really does help to define this piecein all the other masses, even the late ones, these parts peak on the same note or within a note of each other. Josquin's Missa Pange lingua is composed on material derived from the melody to which, from the 13th century onwards, Thomas of Aquinas's adaptation of a hymn by Venantius Fortunatus may have been most frequently sung. Dure : 4968 secondesNombre de pistes : 14Piste 1 : Salve Regina a5Piste 2 : Pange, lingua, glorisiPiste 3 : Missa Pange lingua : KyriePiste 4 : Ave Maria, Virgo SerenaPiste 5 : Missa Pange lingua : GloriaPiste 6 : Inviolata, integra, et casta esPiste 7 : Missa Pange lingua : CredoPiste 8 : Vivrai je tousjoursPiste 9 : El grilloPiste 10 : Missa Pange lingua : Sanctus - BenedictusPiste 11 . Agnus Dei 8 Advertising space is available as well. Find many great new & used options and get the best deals for CDGIM009 JOSQUIN DES PRS Missa Pange Lingua Missa La Sol Fa Re Mi CD Europ at the best online prices at eBay! 4 1. 4 Josquin - Missa Pange lingua & Missa La sol fa re mi - gimell The Tallis Scholars : Missa Pange LinguaMissa La Sol Fa Re Mi CD Palestrina used paraphrase technique in 31 of his masses, second only to parody, which he used in 51. Credo The ineffable motion of the spirit which results from our auditory experience connects us to this masterpiece across time. Josquin was heading for wide open spaces as he concluded his mass career. The more open sonority this gives is detectable, especially in transposition. Missa Pange Lingua - Josquin des Prez - Musescore.com *#575456 - 0.07MB, 6 pp. *#575452 - 0.05MB, 4 pp. Josquins shortest mass setting is based on a melody by his revered teacher Johannes Ockeghem and contains a moving musical tribute to the older composer. Composers of masses in those regions developed styles independently, and in both areas tended to use variations of the cantus firmus technique. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Typically, access is provided across an institutional network to a range of IP addresses. Cyclic mass - Wikipedia It is probably Josquins last mass settingbut it definitely is one of his best: the way Missa Pange lingua realizes a democratic conversation between all four voice parts had profound repercussions for later Renaissance music throughout Europe. The elegant motto openings of each major movement stem from the hymn's first phrase. A paraphrase mass is a musical setting of the Ordinary of the Mass that uses as its basis an elaborated version of a cantus firmus, typically chosen from plainsong or some other sacred source. [2] Famous copyist Pierre Alamire included it at the beginning of one of his two compilations of masses by Josquin. Composer: Josquin Title: "Kyrie" from "Missa Pange Lingua" Date: 1514 Period: Renaissance Genre: Mass Rhythm, meter, and texture: Varied, flowing rhythms, in line with how Renaissance music favored varying rhythmic independence for the melodic lines. Sanctus5. 6 Types of Melody and Their Uses - The Boston Musical Intelligencer ctesibius (2009/12/4), Kyrie - *#218220 - 0.03MB, 2 pp. *#575455 - 0.08MB, 9 pp. The achievements of Flemish artists like Hans Memling would influence the development of Renaissance painting for generations to come. 2 What genre is Missa Pange Lingua? Credo 4. Nonetheless, apart possibly from Mater Patris, we are still referring to Josquins last mass, written when he was over 60. 10 In the Missa pange lingua, all voices carry variants of the hymn, with the beginnings of successive phrases marking points of imitation in the mass. 140 is a more easily recognized cantus firmus work, a chorale cantata. The slow abandonment of the chant as a starting point for the middle movements is unique. Josquin Des Prez - Missa Pange lingua (album review ) | Sputnikmusic Siegbert Rampe: Preface to "Froberger, New Edition of the Complete Works I", Kassel etc. Other. *#575454 - 0.10MB, 9 pp. XVI-71/73. 0.0/10 pp. 8 6 *#404326 - 0.36MB, 42 pp. 8 CDGIM009 JOSQUIN DES PRS Missa Pange Lingua Missa La Sol Fa Re Mi CD Our books are available by subscription or purchase to libraries and institutions. 8 The institutional subscription may not cover the content that you are trying to access. 0.0/10 This album won the Gramophone magazine Record of the Year Award in 1987, the first time an independent label received this prestigious award. 6 2 2 2 ensemble and with smaii choir, has RcnsiisssiriCG Pcrforniricc P rscticc Sanctus V. Agnus Dei, II. 10 Access 200+ online courses to boost your progress now. *#218221 - 0.03MB, 2 pp. - Individual melodies with occasional marked cadences. 1-5 First published: 1539 in Missae tredecim quatuor vocum (Hans Ott), no. The way in which he took a plainchant hymn (written by Thomas Aquinas for the feast of Corpus Christi) and divided its six short phrases so straightforwardly among all four voice-parts had profound repercussions for later Renaissance music throughout Europe.
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